Sounds

SING & DANCE ALONG!

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The sounds of The Atlantic City Beer & Music Festival are one of our most important components, hence why we added "music" to the name of the event in 2011 (fun fact)! Below, you'll find a complete listing of currently booked bands on the 2022 event, from the main stage to acoustic stage fun, there's something here for everyone!

This page is packed full of music so make sure to keep scrolling!

Session #1
Saturday, June 4th - 2pm to 6pm

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Formed by ex-Jerkwater and Traitors drummer Matt Skiba (vocals/guitar), former 88 Fingers Louie percussionist Glenn Porter, and Rob Doran (bass/vocals), Alkaline Trio were brought together in late 1996 by heartbreak, angst, and the companionship of drinking. The original lineup issued a short EP, For Your Lungs Only, just prior to Doran's departure in late 1997, and Sundials followed one year later on Johann's Face Records. Slapstick's Dan Andriano climbed aboard to handle bass duties, adding a complementary voice and songwriting style to Skiba's that would soon become the group's signature dynamic.

The three then started making a name for themselves in the Midwest with their emotion-fueled, angst-ridden, dark pop-punk. With this lineup firmly in place -- and with Skiba and Porter working as bike messengers to make ends meet -- Alkaline Trio made their full-length debut in 1998 with Goddamnit!, an album whose heartbreak tales and anti-cop rants earned a modest following.

Both Maybe I'll Catch Fire and a self-titled singles collection followed in early 1999. Glenn Porter left the band early the following year and ex-Smoking Popes drummer Mike Felumlee joined in his absence, making Alkaline Trio a three-piece again. Third album From Here to Infirmary arrived on the Vagrant label in spring 2001 and was their first to chart, barely entering the Billboard 200 at number 199. Home to tracks "Private Eye" and "Bloodied Up," Infirmary was followed by a split EP with Hot Water Music, wherein both bands contributed original tracks and covers of each other's songs.

Mainstream breakthrough Good Mourning was released two years later, marking the band's first album with drummer Derek Grant (ex-Suicide MachinesThoughts of Ionesco). Good Mourning fared well, peaking on the Billboard 200 at number 20 and topping the Independent Albums list. Featuring their first charting single, "We've Had Enough," Good Mourning also scored Alkaline Trio several spots on late-night TV and summer tours. Crimson followed in 2005 and prompted the band to return to the road that summer, both as a headliner and as an opening act for My Chemical Romance.

As their ten-year anniversary approached, Alkaline Trio hit the road in 2006 with a set that emphasized material from their earliest releases, including an entire run-through of the fan favorite Goddamnit! By that fall, they'd also found a new home at V2 Records and began work on their next album, although label restructuring problems in January 2007 led to the band's dismissal from V2 before any material was released. That same month, Vagrant issued a CD/DVD compilation titled Remains, which rounded up B-sides and rarities, and the Trio used their downtime to secure a new home with Epic Records. They also worked on a new album, Agony & Irony, which was released that summer and debuted at number 13, marking Alkaline Trio's highest chart placement to date. Lead single "Help Me" also became their highest-charting song to date, landing at number 14 on the alternative chart. Despite such success, the Trio left Epic's roster one year later and launched their own label, Heart & Skull, which they used for the release of This Addiction in 2010. This Addiction peaked just outside the Top Ten and was notable for reuniting the band with early producer Matt Allison. The following year they released their eighth album, Damnesia, which featured acoustic renditions of some of the band's most beloved songs, as well as a pair of new tracks. In 2013, Alkaline Trio issued their eighth album, My Shame Is True, featuring production from the DescendentsBill Stevenson.

In 2015, Skiba took a break from the band and joined blink-182 for the recording and promotion of their seventh album, California. He returned to Alkaline Trio at the end of 2017, opening a pair of pre-New Year's gigs with the Misfits. A concert video and LP box set, Past Live, arrived in early 2018, just a month before Skiba had throat surgery that kept him sidelined until the summer. Despite the setback, they recorded another album and embarked on a tour in August. Their ninth effort, Is This Thing Cursed?, arrived that same month.

Alkaline Tri is Matt Skiba – Vocals/Guitar Dan Andriano – Vocals/Bass Derek Grant – Drums

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To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from Thrice over the last  twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

 

Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility. Scott Evans (Sleep, Kowloon Walled City, Yautja, Town Portal) is on mixing duties, conjuring a landscape of gloom, glow, and glory.

This uncertainty is something the band seems to embrace with their entire career, and especially in their approach to this record, building out their own studio and recording completely on their own, unsure of what exactly they could extract from themselves this time around. Some of the writing even began with open ended challenges that the band laid on themselves like building a song using the quartal chords they found in much of the jazz they loved, or taking the Fibonacci sequence and turning it into a guitar riff. Both of those  ideas actually ended up laying the foundation of the song “Northern Lights” that finds the four piece in a new sonic landscape. Thrice seems ever eager to step out into these spaces unknown to them, unsure of where their feet will land, and this new record is no exception. 

 

In Horizons/East, the closed fist meets the open hand. This vision comes through in the art design of Jordan Butcher (who received a Grammy nomination for his work on Caspian’s On Circle). Evoking the imagery of the final scenes of Stanley Kubrick’s 2001: A Space Odyssey, it prepares the listener for strategy of engagement on offer in “Robot Soft Exorcism.”

 

The song opens with a strangely breathing yet robotic beat which deftly lures you into its rhythm despite the odd 7/8 time signature. With the beat leading you onward, dig if you will a picture of figure at a command console, looking through and within the eye socket of the head of a giant robot:

 

Shouting and waving from the ground, a vulnerable individual tries to address the figure on high from below, calling their fellow human out

 

This call, according to Kensrue, is informed by the late scholar of culture, James Carse, who posited that the infinite play of the infinite game is a living alternative to the finite games of finite players who seek to defeat (or crush) the alleged opposition. In beautiful and unexpected ways Horizons/East takes up this task, the infinite play of the healing game, which Carse laid out. Like an open field, Thrice extends the invitation to better dreams, better behavior, and uncertainty as a guiding light.

 

By the time we reach “Unitive/East” (which contains a lovely lyrical nod to mewithoutYou), we’re treated to what feels like a cathedral made of piano music and echoes suspended over an abyss. You’ll want to start the transmission over to receive its witness more fully. In this, Horizons/East is like a soundtrack for deeper dreaming. A gift that keeps on giving.

Thrice is Dustin Kensrue – Vocals/Guitar - Teppei Teranishi  Guitarist– Eddie Breckenridge Bass - Riley Breckenridge Drums

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When opportunity knocks, Philly natives Goalkeeper are the ones answering the door. Ryan Beebe (Singer/Bassist), Marc Juliano (Guitarist), and Cody Ritchie (Drummer), came together at a critical point to create the perfect storm of melodic hooks & hard hitting pure pop punk. Finding inspiration in the expanding genre , Goalkeeper wants to prove there’s still new sounds to be heard, and focuses on tight, driving song writing. Their music emphasizes a refined, fervent sound influenced by early pop punk front runners, with lyrics that are fixated on introspective growth. Goalkeeper has supported such bands such as State Champs, The Starting Line, Hit The Lights, Real Friends, Can't Swim, With Confidence, and more. With their new EP “Life in Slow Motion” out on September 25th, 2020, produced by Kevin Mahoney of Hit The Lights/Joywave, Engineered by Will Pugh of Cartel, and mixed & mastered by Seb Barlow of Neck Deep, Goalkeeper is striving to become one of the greats in the pop punk genre.

Session #2
Sunday, June 5th - 12pm to 4pm

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New Found Glory has always been about the same thing - honesty, community, and positivity. After 20+ years of being a band, ten studio albums, one live album, two EPs, and four cover albums, New Found Glory’s ethos has never wavered; they always strive to be the friend you always need and always understands you. With their tenth studio album, Forever + Ever x Infinity, the band has put together the quintessential NFG record, supremely catchy with sing-along anthems, trademark breakdowns, and sweetly poignant lyrics. “This is the record our fans have been waiting for us to make,” guitarist Chad Gilbert shares, “The old now feels new and fresh. It was a blast finding ourselves again.”

 

Combining punk, hardcore, and post-hardcore with emotional lyrics and melody is nothing new for the band that epitomizes heartfelt optimism with DIY work-ethic and spirit. But never has this been more evident than this 15-song barn burner of a record. Set at a blistering pace, songs like “Shook By Your Shaved Head” and “Nothing To Say” rip the listener out of their monotonous day-to-day and drain away all the pressure and self-doubt that manifests inside. When singer, Jordan Pundik, sings, “You’ve gotta take your life back. You’ve got so much more to give. That’s what I say to myself when I feel like giving into the shame I feel. Won’t let it keep me standing still,” you can’t help jumping up, throwing a fist in the air, and singing the words out at the top of your lungs. This is what New Found Glory has always been about - inspiring people to not be afraid of the odds, lift each other up, and get up again. 

 

For what is the most revealing and unnerving than love? After all, Forever + Ever x Infinity represents how long you want your love to last. Songs like “Greatest Of All Time” and “Stay Awhile” dive beyond the surface and into the depths of love, rolling through ups and downs, and riding through the fear to keep going through failure. Lines like “I think we are what we’ve been waiting for,” and “We can love, we can fail, it never goes out of style,” tug at the heartstrings of anyone that has struggled, worked, and made it out the other side. But nothing can prepare you for the joy and exuberance of coming full circle with, “You like my sense of humor and I like the way you smile...Why don’t you stay awhile...or maybe for a lifetime.” It hits hard because you know this to be true, New Found Glory has always been about this; life will be difficult, but these difficulties make us into stronger, bolder people, and celebrating the triumphs in life make it all worth it.

 

With Forever + Ever x Infinity, the band created an album that is 100% New Found Glory, a brand and mantra 20+ years in the making, riffs and sing-a-longs to last a lifetime. 

 

New Found Glory is Jordan Pundik (lead vocals), Chad Gilbert (guitar), Ian Grushka (bass guitar) and Cyrus Bolooki (drums).

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Taking influence from the likes of Lifetime, Gorilla Biscuits, and New Found Glory, Four Year Strong built an aggressive and melody-riddled combination of hardcore, emo pop, and pop-punk upon their formation in Worcester, Massachusetts. The band’s lineup — vocalist/guitarists Dan O’Connor and Alan Day, bassist Joe Weiss, drummer Jake Massucco, and synth player Josh Lyford — was cemented during the musicians’ high-school tenure in 2003, though a form of the band had already existed for several years. Following the appearance of two self-released EPs, Four Year Strong signed a deal with New Jersey-based imprint I Surrender Records. Their debut full-length, Rise or Die Trying, was issued on the label in September 2007. Tour dates with groups like the Starting Line, Valencia, and From First to Last kept them on the road for the remainder of the year. Their next release, an album of ’90s covers called Explains It All, arrived at the end of 2009 and was followed a year later by the original set Enemy of the World.

At this point, the band decided to lose its synth element, paring down to a quartet and parting ways with Josh Lyford in the process. In 2011, Four Year Strong went into the studio with producer David Bendeth to work on their fourth album, In Some Way, Shape, or Form, which was released at the end of the year.. Released in 2014, their Go Down in History EP was considered a sort of return to form. In early 2015, nearly four years after their last LP, they announced the release of their self-titled fifth album and first for California-based indie Pure Noise. The album was a success for Four Year Strong, reaching number 77 on Billboard’s Top 200. They followed it up two years later with a collection of rarities and unplugged material called Some of You Will Like This, Some of You Won’t.

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Be Well may be a new band, but their roots run deep. Musically, it’s emotionally gripping, with an expertly executed blend of melodic hardcore and notes of 90’s post-hardcore influence. The lyrics are deeply personal, and the vocals harken back to early DC bands like Rites of Spring and Embrace. The members include Peter Tsouras (Guitar) and Shane Johnson (Drums) from Fairweather, Mike Schleibaum (guitar) of Darkest Hour, and Aaron Dalbec (Bass) of Bane. Rounding out the quintet is the vocalist, Brian McTernan, who is known for his production work with bands like Circa Survive, Hot Water Music, Turnstile and Thrice. Be Well‘s energy is relentless, as McTernan chronicles his struggles with depression and fatherhood through lyrics that are equal parts heartbreaking and hopeful.  Fans of the individual members’ past work have anxiously awaited Be Well‘s first recorded music. 

MAIN STAGE ENTERTAINMENT bookings By:

The Acoustic Stage

by:

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Session #1 Saturday June 4th

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Session #2 Sunday June 4th

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